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Black Nobility and the Vatican.
The black nobility is the base of the global crime syndicate that controls this planet. The black nobility or black aristocracy are the aristocratic families that sided with the papacy under Pope Pius IX after the army of the Kingdom of Italy led by the Savoy family entered Rome on September 20, 1870, overthrew the pope . and the Papal States, and took over the Quirinal Palace, and the nobles later ennobled by the Pope prior to the Lateran Treaty of 1929. Any family that produced popes for the Vatican is royalty. Most of the black nobility are Vatican royalty. The black nobility consider themselves sovereign princes. These families earned the title of "black" nobility for their relentless unscrupulousness. They used murder, rape, kidnapping, robbery and all kinds of deception on a large scale, without resisting the achievement of their objectives. The black nobility were the families that financed and created the holy corporation of the Vatican with the aim of imposing world slavery as a necessary institution, with the sole belief that some are born to rule and others to be ruled. The idea that certain families were born to rule as an arbitrary elite, while the vast majority of a given population is condemned to oppression, servitude, or slavery became the theological position of this elite. The "New World Order" is an attempt to take control of society by these fascist families with the purpose of the total slavery of humanity. The Vatican is an imperial nation and is the largest empire in this world. The Vatican City, or the Holy Vatican Corporation, officially the Vatican City State, is a nation that operates as the largest intelligence network in the world. The Holy See is the "All-Seeing Eye" in society and a corporate entity connected to many other corporations and governments through papal and royal statutes. Archbishops and high-level bishops are the overseers of society within their districts and oversee politics, police, business, and organized crime. The same year that the professor of ecclesiastical law and practical philosophy at the University of Ingolstadt, Adam Weishaupt, created the Order of the Illuminati, was the same year that they created the United States as a corporation to run it as their private army and lead I dig the agenda of a "New World Order" for the elites, mainly, thanks to the infiltrated Freemasonry and directed by the Jesuits. The New World Order is a conspiracy of lineage at the top. They are ancient and evil bloodlines that build and destroy empires for control through an order out of chaos. Royal and noble houses are corporate entities and claim to rule and own land, resources, and people. Landlords have always been the dominant owners of gold and precious metals. They empower and finance bankers and entrepreneurs to work for them through their corporate homes. They authorize and issue the creation of laws, agencies, the military, companies, and universities. They create and run religions and secret societies. They also finance and organize organized crime syndicates as if they were commercial enterprises. Some of the major royal bloodlines include Savoy, Bourbon, Medici, Glücksburg, Wittelsbach, Nassau-Weilberg, Saxe-Coburg and Gotha, Romanov, Grimaldi, Orleans, Braganza, Habsburg, Hannover, Windsor, Saud, Thani, Khalifa, Alouwite , Zogu, Hohenzollern, Orange-Nassau, Bonaparte and Bernadotte. Many royal bloodlines still rule their nations as heads of state such as the United Kingdom, Belgium, the Netherlands, Denmark, Monaco, Spain, Saudi Arabia, Bahrain, Morocco, Sweden, Norway, and Luxembourg. The Vatican City State is also a kingdom with the Pope of Rome as its monarch. The Black Nobility are the ancient bloodlines of the Papal States and they own the Holy See and the Vatican. They produced the first popes of Rome and held leadership positions in the Vatican from its inception. The Colonna and Torlonia still hold the hereditary positions of the Assistant Princes to the Papal Throne. The black nobility consider themselves sovereign princes. The Vatican is used as a central point of control and the Holy See is one of the oldest and most criminal corporate entities in existence. The Spanish Catholic Church is immensely rich, it has not suffered the crisis and also enjoys a true tax haven, being free to pay taxes, such as the IBI, works, companies, etc. The vast majority of the assets in their possession and on their accounts are completely opaque. This situation is illegitimate, unfair and presumably illegal, and this occurs with the complicity and consent of the public powers. The Erlach and Brandi families are Swiss tax advisers who enable corruption, bribery, criminal financing, and money laundering. The Swiss Guard is the one that protects the Vatican City State. The Swiss cantons have been in contract with the Vatican for centuries and Switzerland is basically a papal state with the noble Roman saints claiming partial ownership. The German house of Baden-Zahringen founded Bern, in Switzerland. The House of Savoy ruled the regions of Switzerland for hundreds of years. Some of the most important bloodlines of the Black Nobility are: Massimo, Colonna, Pallavicini, Odescalchi, Ruspoli, Orsini, Aldobrandini, Sforza-Cesarini, Boncompagni-Ludovisi, Chigi-Albani-Della Rovere, Doria-Pamphilj, Rospigliosi, Giustiniani , Torlonia, Corsini, Borghese, Del Drago, Lucchesi-Palli, and Gaetani. The Pecci and Pacelli families are more recent bloodlines of the Black Nobility. The black nobility share ownership over the Holy See, which is a corporate entity based in the Vatican City State that was established as a nation in 1929 under Benito Mussolini, who was put in power by the House of Savoy. The Mussolini and Franco families became nobles after their fascist regimes. The Black Nobility also owns the Knights of Malta, the Jesuits, and the Cosa Nostra. The Black Nobility established branches in southern Italy and married Sicilian-Campanian nobles such as the Lanza di Scalea, Adragna, Sanseverino, Tomasi di Lampedusa, Paterno, Cattaneo, Serena di Lapigio and Rocco di Torrepadula families. Many Italian crime families were Sicilian nobles like the Bonanno and Bellomo families. Both the mafia bosses and the Italian and Spanish nobles call themselves Dons, which is the equivalent of Boos (boss) of crime. The Savoy, Savoy-Aosta, Medici, Borbon-Dos Sicilias, and Borbon-Parma families are members of Italian royalty and are married to various European royal bloodlines and Black Nobility. Most of the monarchs are members of the Sovereign Military Order of Malta. Prince Carlo Massimo has been overseeing the Sovereign Military Order of Malta as President of the Italian Association of SMOM. The Knights of Malta have an undercover operation at the Jesuit School of Foreign Service in Georgetown, run by Joel Hellman. The Jesuits and the Knights of Malta basically run the Defense Department alongside British Crown agents and high-level Freemasons. Prince Carlo de Borbón-Dos Sicilias is a high commander of the Society of Jesus through his Sacred Constantinian Military Order of Saint George. The Jesuits were authorized by Pope Paul III of the Farnese family. The Bourbon-Dos Sicilias and Borbon-Parma families are the continuation of the Farnese family, the name Farnesivs is engraved in the Jesuit headquarters called the Church of Gesu in Rome. The Farnese family lived in a pentagonal fortress called Farnese Villa Caprarola, which is the basis for the design of the American Pentagon. Jesuits are involved in education, politics, banking, science, law, and especially military intelligence. The Italian Bourbons have established residences all over the world, including Florida. Jesuits need to be investigated and banned, they have rightly been expelled from almost every country in the world, but they always end up coming back. In Spain three times, his last return was at the hands of General Franco. The Holy See is a corporate body that issues laws and bills, such as the Golden Bull, which claims ownership of the Kingdom of England and identifies the emperor as the sovereign of the only legitimate universal empire, directly chosen by God. The Pope claims temporal power or ownership over the Earth and also claims Papal Supremacy or Papal Rule and Papal Infallibility. Infallibility means incapable of being wrong. The Roman Curia or Papal Court is the highest organized council in society and is directly supervised by the two “Assistants of the Prince to the Pontifical Throne”, these two positions are held by the princes of the Colonna and Torlonia families. They work with a higher level princely council of the Italian nobility that works with another council made up of the Roman nobility. The Italian and Austrian nobility are married to each other and work closely together leading the Sovereign Military Order of Malta, which is a sovereign entity equivalent to that of a sovereign nation. The Italian Nobility, La Cosa Nostra and the German and Austrian Nobles, run the Jewish Mafia. Royalty and nobles have massive amounts of wealth in private bank accounts in Switzerland. They use the Nazi-founded Bank for International Settlements to steal wealth from central banks through fraudulent tax contracts and then launder and hide the wealth in private bank accounts in Switzerland. The main Italian lineages still active include the Massimo, Colonna, Pallavicini, Torlonia, Aldobrandini, Ruspoli, Orsini, Gaetani-D'Aragona, Borbón-Parma, Odescalchi, Borghese, Adragni, Chigi, Medici, Borromeo, Doria-Pamphilj, Sacchetti, Savoy, Grimaldi and Bourbon. These bloodlines oversee the various specters of society. Outside of this power structure is the Committee of 300 with an inner circle made up of the leading monarchs and princes of Europe and the former Holy Roman Empire with members from Windsor, Spencer, Cecil, Percy, Hohenlohe-Langenburg, Habsburg, Bonaparte, Orleans, Bernadotte, Lagergren, Glucksburg, Hannover, Furstenberg, Austria-East, Hohenberg, Hesse, Nassau-Weilberg, Habsburg-Lorraine, Saxe Coburg and Gotha, Saxony-Weimar-Eisenach, Saxony-Meiningen, Braganza, Orange-Nassau, Hohenzollern , Hohenzollern-Sigmaringen, Liechtenstein, Rothschild, FitzJames, Lobkowicz, Ligne, Merode, Romanov, Thurn and Taxis, Schwarzenberg, Orsini-Rosenberg, Windisch-Graetz, Esterhazy and other families. Many members who do not have noble status on the Committee of 300 are representatives of the royal families. These families are all enemies of humanity and have conspired to enslave the world for centuries. They authorize and create corporations and billionaires, run religions, states, secret societies, the mafia, and organized crime syndicates. Royal families in Europe are mainly divided into two factions, and this dates back to the Guelph merchants and Ghibelline landowners. All other groups like Bilderberg, CFR, and the Trilateral Commission are lower-level organizations. All roads lead to Rome, which is the basis of its control system. The European Constitutional Monarchies are branches of the corporate empire of Rome. Constitutional Monarchies are ruled by blood-appointed heads of state and serve Rome through the Sovereign Military Order of Malta. The Pope claims temporary or physical ownership of the Earth. The Pope claims to be infallible of error. The Pope claims ownership over all souls through the papal doctrine of "Papal Supremacy." The Pope is a leader for the Black Nobility of Italy. The Jesuits are a military priesthood officially established by Pope Paul III A.K. to Alessandro Farnese of the Farnese family. The Jesuits were officially established under the Papal Bull called Regimini Militantis Ecclesiae, which means Military Regiment of the Church as the continuation of the Templars. The Black Nobles are the true owners and controllers of the Vatican and maintain their control throughout the centuries by installing their relatives as high-level popes and bishops. At present the Torlonia and Colonna families who have the hereditary positions of Prince Assistants to the Papal Throne are those who supervise the pope. In turn Pope Francis supervises all members of the Catholic Church and also supervises the various secret societies that are connected with the Church. The Jesuits are also a Masonic order and were the continuation of the Templar orders when they were banned. The Roman Catholic Church mocks Christians by performing rituals where they pretend to drink blood and eat human flesh known as the Eucharist, also called Holy Sacrifice. The New Testament did not exist until about 1600 and the Old Testament is even more recent than the new. It was the Vatican and European monarchs who created both the New and the Old Testaments. The last official version of the bible was published in 1777. The bishops and priests operate as supervisors and the Jesuits function as spies trained in deception and are infiltrated everywhere. The Pope claims temporal power or ownership over the Earth and also claims Papal Supremacy or Papal Rule and Papal Infallibility. Infallibility means incapable of being wrong. Archbishops are the overseers of society within their districts and oversee politics, police, business, and organized crime. The Latin phrase Novus Ordo Seclorum means New Order of Ages (or Ages), or also "New World Order", and is on the US dollar bill and Great Seal of the United States. The Vatican uses Latin as an official language and for documents. America is named after the Italian Americo Vespucci who worked for the Medici family of Florence and Rome. Vespucci created the term New World for America. The Bank of America was originally called the Bank of Italy and was founded by Amadeo Giannini, who was financed by Italians. Nations were formed as companies or corporations to exploit their citizens as merchandise. Corporations are fraudulent constructions because they are considered a person with rights under the law, and because the owners and controllers of the corporations can disregard responsibility for crimes committed by the corporation. That is fraudulent. Corporations are not people and therefore cannot have rights. Corporations are also monopolies that use subsidiaries to hide their dominance over industry. Private companies cannot compete fairly with corporations. Citizens are also classified as legal persons (companies), robbing them of all their human rights. Corporations shouldn't exist. Royalty and nobles issue charters establishing representative covert property agents controlled by corporate households or crowns of royalty and nobles. They claim to own foreign governments in this way. Royalty and nobles claim to own the United States as a continuation of the Virginia Company. Roman royalty such as the Hanover, Hesses, Wurttembergs, Hohenzollerns, Glucksburgs, Orange-Nassaus and Saxe-Coburg and Gothas claim a share of ownership over the British Crown. This is why the British royal family has so much German ancestry. The United States is defined as a federal corporation under US code 3002. Section 15. Most of the founding fathers were Freemasons and worked for the British Crown and German royalty. American political families, such as the Bushs, Clintons, Romneys, and Kennedys, take their names from European noble families that still exist. The Von Dem Bussche family are German nobles and relatives of the Bush family. The Clintons and Romneys are also British nobles. The Kennedys are Scottish-Irish nobles and an American political family involved with the Democratic Party. Mars, Walton, Rockefeller, Guggenheim, Getty, Hearst, Sackler, Lauder, Sachs, Busche, Johnson, McMahon, Forbes, and Cox are some of the billionaire American families that work with royalty and nobles in Europe. The Mars family is worth about 70 billion and works with the Windsor, Savoy, Thurn and Taxis families. The Waltons are worth around 130 billion and work with German nobles like the Württemberg, Baden, Hohenzollern and Isenberg families. The various Johnson families in the United States are collectively worth tens of billions and serve as agents for the House of Hannover. They own Johnson and Johnson and Fidelity Investments. The Hanovers are powerful royals and merchants who established the Hanseatic League. The Hearst family is worth more than 25 billion and several members were educated at Harvard University of the British Crown. The McMahon family is a billionaire and owner of the WWE and works under the Bonapartes and Savoys as their noble ancestors who were served militarily by the MacMahons during the Second Italian War of Independence. Today there are MacMahons in France with Italian and French titles of nobility. The Lauder family works for the House of Esterhazy in Austria and the House of East in Austria and Italy. The Guggenheims have assets worth hundreds of billions and are married to the House of Stuart. The Getty family are billionaire American oil merchants and are married to the Italian House of Ruspoli. The Forbes family are billionaires and American descendants of Scottish nobles who still exist. All gang stalking and cult organizations are owned and controlled by members of royalty and nobility. Criminal organizations such as Royalty itself, Royal Institutions, The Company of Jesus, The Black Monks, The Hellfire Club, The Templar Orders, Freemasonry, The Grand Orient of France, The York Rite, The Scottish Rite, Prince Masonry of Prince Hall, Shriners International, The Royal Order of Jesters, The Cabal Society, Chabad, Scientology, Skull & Bones, The Boulé Society, The 5% Nation, The Nation of Islam, Black Israelites, The Ordo Templi Orientis ( OTO), The Temple of Set, The Church of Satan, Rosicrucian, Golden Dawn, Opus Dei, Mormons, Knights of Columbus, The Bohemian Club, Knights of Phintias, Ancient Order of Druids, Wicca, Santeria, Obeah, Voodoo, Sufism , Greek Fraternities and Brotherhoods, New Age and Gnostic Cults, Nazi Cults, KKK, Mafias, Prison Gangs, Biker Gangs and Street Gangs. The Rockefeller family uses their charitable foundations to fund harassment gangs and bribery in the United States, as well as globalization agendas and vaccination programs. The Rockefeller Foundation funded Almighty Vice Lord Nation, which is an organized crime group, and also funded the Tavistock Institute. Hollywood, the Church of Scientology, and Silicon Valley are military operations like the US DARPA agency and run by European royalty and nobles like the Oettingen-Spielbergs, Schaumburg-Lippes, Anhalts, Hanovers, Windsors, Passi di Preposulos, Ruspolis, Torlonias and Odescalchis. The Ferragamo family is also involved in the management and financing of corruption in Hollywood. The House of Nassau-Weilberg, which is married to the Torlonias, funds human trafficking and human sacrifice in Hollywood. Idols in the entertainment industry are a dangerous cult with leaders who have access to electronic weapons. Most of modern electronics is being broadcast covertly with GENISIS and NEURON bio-piracy software controlled by Kabbalists and Scientologists. European monarchies function as extensions of Rome and run secret societies that infiltrate government agencies and run corporations for monarchs. The Sovereign Military Order of Malta is the main military council and works closely with the Orders of St. John administered by Protestant royalty such as the Windsors and the Hohenzollerns. The Order of Malta and the Order of Saint John are Masonic organizations with grand masters and titles for initiation. The royal and noble bloodlines are all working together as a global crime syndicate and part of a modernized Roman corporate empire. They also have several competing factions that create the illusion of division. The British crown and Scottish nobles such as the Bruce, Stewart, Sinclair, Campbell, Montagu, Scott, Hamilton, Percy, Boyle, Bowes-Lyon and Sutherland families administer a large part of Freemasonry. All of these families produced Grand Masters of the Grand Lodge of England. There are thousands of Masonic lodges in Europe and in the United States. Freemasonry must be investigated and outlawed. The Greek-German Royal House of Glucksburg directs the Greek fraternities and brotherhoods and uses initiates as its agents. Glucksburg nobles and Italians run the Boule Society, Boule is a Greek fraternal society for African Americans. Martin Luther King and Jesse Jackson have been members of Boule, among many other high-profile, successful, and wealthy blacks, including Barack Obama, Bill Cosby, Al Sharpton, and Thurgood Marshall. The Glucksburg family rules Denmark and Norway and recently ruled Greece. Among its members are the ex-queen Sofía of Spain and Duke Felipe de Edimburgo. Former Greek nobility and royal merchants such as the Mavroleon, Onassis, and Niarchos families are billionaires who have a monopoly in the shipping industry and work with British nobles. The Greek royal family currently lives in London from where many Greek consignment merchants operate. The British Crown authorized and controls universities such as Yale and Harvard which are used to recruit Crown agents through fraternal orders such as Skull & Bones and Book and Snake. Royal and noble families also do undercover business in the City of London Corporation, which dominates global markets. Some of the major London merchant families include the Goldsmith, Stuart, Rothschild, Grosvenor, Sassoon, Barclay, Sutherland, Montagu, Bailey and Guinness families. The Sutherland family created the HSBC bank that has a long history of financial scandals around the world (Emilio Botín, Fernando Alonso, Mohamed VI, Jorge Trías and Jordi Pujol Jr. had accounts at HSBC when it was chaired by Stephen Green, Baron Green of Hurstpierpoint). The Bailey family is co-founder of Janus Henderson through a merger. Janus Henderson manages around 190 billion in assets. The Stuart family owns the Hudson Bay Company and has an alliance with the Bavarian House of Wittelsbach, which is the covert owner of some of the Hudson's Bay Company subsidiaries, which were founded by Bavarian merchants. HBC has approximately $ 12 billion in assets and has had fiscal contracts with the United States through the Organic Law of the District of Columbia of 1871. The Orange-Nassau family are influential traders through the Netherlands Trading Society and have a large number of shares in Royal Dutch Shell, Philips Electronics and ABN AMRO Bank. The Orange-Nassaus and their Dreyfus agents run the Rand Corporation, which has a contract with the US military. Rand's founder was a Dutch gentleman. The Orange-Nassau family also runs the Loyal Orange Institution in Ireland, which has infiltrated the police, justice and politics. The Luxembourg Nassau-Weilburg family are international bankers connected to the World Bank and the International Monetary Fund. The royal families of Luxembourg, Belgium and the Netherlands have shares in the European Investment Bank and all of these royals are recently married to Italian nobles. The Ligne family from Belgium are wealthy diamond and gold merchants. The Belgian Crown and its nobles are stealing wealth from the United States through fraudulent tax contracts established through the Organic Law of the District of Columbia of 1871 and continue to do so through the Bank for International Settlements. The Barons Strange heads the Masonic Order of Oddfellow. The Russell family are the Marquesses of Tavistock and they run the Tavistock Institute, which is an organization involved in mass mind control. The Russell family also co-founded the Yale University and Russell Trust Association, which is named after the New Haven, Connecticut company based on the Skull & Bones secret society. Skull & Bones is a death cult military complex run by the Bush family from the USA who are like a European royal family in the USA. The Furstenberg family runs the Royal Order of Jesters who wear a jester on their coat of arms. The Clintons work closely with the House of Furstenberg, who have residences in the United States. The Italian Orsini family and the Holy Roman Rosenberg family lead the Rosicrucian Order of alchemists who infiltrate food and drug companies for chemical warfare. The Medici family, who have a statue of Hermes (Mercury) in their palace in Rome, administer the Hermetic Order of the Golden Dawn, an alchemical secret society. The Medici were architects of modern banking. The Pierleoni family of Rome and the Spanish House of Bourbon-Anjou run the Kabbalah Society, which uses the Spanish lion for its logo. The Pacelli family of Rome and the Crescenzi family of Italy administer the Wiccan witchcraft cults. The Bavarian Wittelsbach family from Bavaria created the Bavarian Illuminati and administers the Benedictine Monks and is also part of the Jewish Mafia in the United States who are white collar criminals. The Pecci family of Italy also owns the Jewish mafia in the United States through their marriage to the Blumenthal family. The House of Wittelsbach is involved with Zionism, Nazism, Freemasonry, and the Society of Jesus. The Jesuits function as Roman intelligence and infiltrators and use their universities to recruit and train agents for Rome. Jesuit agents dominate leadership positions in the United States military and intelligence and especially in the CIA. The Knights of Columbus are owned by the Casa de Colonna. Christopher Columbus was Pedro Madruga, the Count of Caminha, a relative of the Colonnas who settled in Pontevedra at the time of the Romans. Many Knights of Columbus are police officers, mayors, lawyers, and judges, protecting the Italian mob while targeting free-thinking people. The Knights of Columbus are heavily involved in gang harassment. Court Jews such as the Rothschild, Warburg, Goldsmith, Oppenheimer, Walton, Sassoon, Kadoorie, Lewis, Javal, Lauder, Sackler and Dreyfus families work through the Roman Curia or royal courtrooms such as Buckingham Palace. The French Rothschilds work for the Black Nobility of Rome and the French House of Orleans. The British Rothschilds work for the British Crown. The Sassoon and Kadoorie families work for the British Crown and oversee banking and business in China and India. The Swiss Rothschilds work for the House of Habsburg and the House of Hesse. The Oppenheimers work for the German House of Wurttemberg and the Cologne Oppenheim branch. the Austrian House of Habsburg granted them titles of nobility. The Warburgs work for the Italian House of Borghese and the German House of Hesse and the House of Hannover. Warburg Pincus had a contract with Unicredit that merged with the Borghese Family's Bank of the Holy Spirit. The Warburgs were Venetian bankers and the Borghese family now hold Venetian titles of nobility. The Warburgs financed the Nazis. The Dreyfus family works for the Dutch House of Orange-Nassau and the French House of Bonaparte. Jewish banking families work for Christian nobles and royalty. These billionaire Jewish bloodlines run many rabbis who run a criminal intelligence network that works with Mossad. The French House of Bonaparte and the Swedish House of Bernadotte control many of the main European companies through their knights of the Order of Seraphim and the Legion of Honor, who are also members of the Round Table of Industrialists of Europe, which it has a great economic influence on the markets. The Wallenbergs run corporations worth hundreds of billions and work for the Swedish House of Bernadotte. The Wallenbergs and the Swedish Crown also work with the Jesuits and the Vatican. The Black Nobility and other royal families have been hiding billions in private banks in Luxembourg, Liechtenstein and Switzerland. The royal families of Luxembourg and Liechtenstein own and run their own national and private banks. Austrian and Eastern European royalty and nobles, such as the Habsburgs, Esterhazys and Schonberg, use private banks in Liechtenstein and also own Israeli and Jewish mafias. The Esterhazy family together with the Lucchesi-Palli family run a faction of the Russian mafia through the mob boss Semion Mogilevich from Budapest. The Torlonia family owns the Fucino Bank in Rome and functions as Vatican bankers and treasurers. The Torlonia family of Rome and the Hohenzollern family of Germany are the main owners and controllers of the Bank for International Settlements which was founded and administered by the Nazis during World War II. The Torlonias are architects of fascism and the Hohenzollerns are architects of Nazism. The East, Rothschild and Hottinger families are some of the leading Swiss bankers. The Romanian Sturdza family also owns a private bank in Switzerland. The Casanova family of Italy and Spain is one of the leading political families in Switzerland. The East and Savoy families run the Bank for International Settlements, which has a contract with most of the major central banks and is embezzling the wealth of nations through fraudulent loans and contracts. The Savoys live in Switzerland and Prince Lorenz of Austria-Este works at the Gutzwiller bank. The Bank for International Settlements must be investigated and closed. The Gutzwiller family is one of the leading banking families in Switzerland, owning its own private bank and managing 35 other Swiss banks. The Swiss Guard is a military body in charge of the security of the Pope and the Holy See. The ceremonial head of the Swiss Guard is the Pope, sovereign of Vatican City. Italian mafias are Rome's enforcers involved in extortion, money laundering, murder and drug trafficking, and they pay their dues to the Sicilian mafia, which in turn pays them to the black nobility. The mafia channels its earnings and tributes to the Black Nobility through the Vatican charitable foundations and then from the Vatican bank they are transferred to the private accounts of the Swiss Bank. The Savoy’s Genovese crime family specializes in extorting Wall Street. The mafia is rigging professional sports for gambling and they also launder their criminal winnings through the casinos. The Torlonia family owns the Kansas City crime family and shares ownership of the Pittsburgh crime family with the Borghese family of Rome and the Rocco di Torrepadula family of Sicily. The French House of Orleans owns the New Orleans crime family and the Franco-British Beaufort family oversees and owns the Dixie Mafia factions along with other British peers who have French ancestry. Cox's billionaire family is involved in multimedia communications and is part of the owners of the Dixie mob, which is involved in tobacco and ginseng sales as well as arms, drug and human trafficking. The Goldsmith and Sassoon families own Pakistani and Hindu human trafficking networks operating in the United Kingdom. The Imperial House of Brazil, Orleans-Braganza and the Belgian House of Ligne are married and have shares in the Brazilian companies AmBev and Belgian Anheuser-Busch InBev. The House of Orleans-Braganza owns Brazilian drug cartels that are also involved in human trafficking. The Sforza family owns the Stidda Mafia clans operating in the Sforza-Visconti territory in Milan and the Sforza and Visconti families have greater control over the Italian Stock Exchange or the Milan Stock Exchange. Milanese billionaire Silvio Berlusconi works for the Sforza and Visconti families and has a monopoly on Italian media and politics. Berlusconi founded the Forza political party in Italy named after the Sforzas. Some northern Italian nobles such as the Visconti, Borromeo, Este, Gonzaga, Valenti, D’Adda, and Passi di Preposulo families are closely related to billionaire families such as the Rothschilds, Agnellis, Benettons, Armanis, and Ferreros. The Sforza and Visconti families own the Seattle crime family with the Gaetani family as partial owners. The Seattle crime family controls billionaires Bill Gates and Jeff Bezos through blackmail. In 2017, Microsoft and Amazon employees were caught in a sex trafficking scandal. The Colonna family owns the Knights of Columbus and also owns the Colombo crime family and partially owns the Chicago Outfit along with the Capponi and Roselli families of the Florence Turk. Al Capone was an agent of the House of Capponi and John Roselli was an agent of the Roselli del Turco family. Roselli also worked for the CIA. Colonna means column like Colombo and Colón. The Knights of Columbus infiltrate police departments and work with the Italian mafia. The Massimo and Gaetani families own and run the Gambino crime family and the Philadelphia crime family. The Massimo-Brancaccio family also owns and runs the Magliana or Roman Mafia and the Armed Revolutionary Nuclei, as well as the Graviano de Brancaccio crime family in Palermo, Sicily, which is part of the Corleonisi mafia clan. The Massimo family receives tribute from most of the Italian crime families and even from the Russian mafia and Eastern European mafias. The Massimo de Roccasecca family, who live in London, own the Clerkenwell crime syndicate, also known as the Adams Family or the London A-team and are part owners of the Irish Mafia, including the Rathkeale Rovers. The Borghese family is also the main owner of the Sicilian Mafia and the Mafia Magliana. The Lucchesi-Palli and Pallavicini families own the Lucchese crime family to which the Russian mafia in Brighton Beach pays tribute. The Pallavicini family owns the Armenian mafia that operates in Hollywood and works closely with the Kardashian family. The Romanovs are partial owners of the Russian mafia and have established several residences in the United States. The Giustiniani family oversee the Philadelphia Greek Mafia along with some Greek merchants. Royal and noble families finance organized crime. The Jewish Mafia reorganized into a white collar crime and worked with the black hand of the Italian Mafia. The head of the Jewish mafia in the United States is billionaire Michael Bloomberg. Leon Black is another one of the leading Jewish mobsters in New York. The Jewish Mafia participates in professional sports with white-collar mobsters such as Daniel Gilbert, Robert Kraft, Joshua Harris, Tom Werner, Jerry Reinsdorf, George Kaiser, Peter Guber, Joe Lacob, Mark Cuban, and Micky Arison. The European Union is based on the Treaty of Rome that was signed at the Capitol in Rome. The president of the European Central Bank is Mario Draghi, born in Rome and educated by the Jesuits at the Massimo Institute. Mario Draghi is an undercover relative of the Borghese and Del Drago families. The Erba-Odescalchi family with ancestry from Cernobbio, Italy, runs CERN with the Roman Fabiola Gianotti as CERN Director General that is used to generate pressure in the lower atmosphere in order to oppress society. CERN, HAARP, The Church of Scientology, Chemtrails and electronic devices are being used to covertly oppress society. The US military administers a HAARP electronic harassment system in Puerto Rico that is controlled from Guantanamo Bay in Cuba, which is under the command of Captain David Culpepper. The CIA and the Italian Mafia have a large criminal operation in Cuba. The CIA and Cosa Nostra work closely to this day. Islamic royal families were named after European royalty in the 19th and 20th centuries and especially after the First World War. Middle Eastern royalty run the oil industry and use their massive wealth to fund globalist agendas that allow them to rule their nations. The house of Saud is worth at least a billion. The House of Thani and the House of Al Khalifa work with the House of Saud and are also wealthy oil traders. Royals from the Middle East run the Muslim Brotherhood and the Five Percent and the Nation of Islam, which are violent mobs of cult and harassment. These organizations need to be investigated and banned. They also own an Arab mob that is based in New Jersey and Detroit. The royal family of Morocco are wealthy merchants and owners of the Abergil crime family of Israel and Morocco. The House of Bourbon and Spanish nobility such as the Osorio, Fitz James, Alvarez (Alba), Pignatelli, Arteaga, Borja, Zuniga, Ruspoli, and Aragon-Escobar families own the majority of the Mexican and South American drug cartels. The Osorio and Borja families own MS-13. The Borgia and Borja families are also partial owners of the Mongels motorcycle gang. The Bourbons own the Gulf Cartel and the Lating Kings. The Ruspolis are partial owners of the Sinaloa Cartel and the Primeiro Comando da Capital in Sao Paulo, where their Matarazzo cousins reside. The FitzJames and Alvarez families own the Los Zetas Cartel. The Álvarez and Osorio families also own the Bandidos motorcycle gang. The House of Bourbons are the founders and owners of Banco Santander. The King of Spain has the official right to the throne as King of Jerusalem.
Comprehensive "What to watch after Gomorrah ends?"
LETS KEEP THIS UP TO DATE (Updated 01/01/21) A question we see multiple times a week in this thread...It's heartbreak for all of us. We itch and ache for something to fill that void in our lives after Gomorrah...Like addicts looking for our next hit. There's nothing exactly like it, but there are similar shows of similar quality. To hopefully avoid seeing this question in the future I went ahead and made a list with my personal show and movie suggestions...and then also a list with the most commonly mentioned when this question pops up. If there's something you think I should add, just comment and I'll update this thread every day to keep our Mafia world engine running. Please stick to the general "organized crime" theme for suggestions you may have. Not to be mistaken with the "police" theme. WHERE TO WATCH (google these streaming sites) Actvid (way less ads, if any. 1st choice by far. Especially to nube pirates) FShareTV Europixhd Gustatv Putlockers FMovies LosMovies MOST POPULAR SUGGESTIONS (from other redditors) Your Honor- Bryan Cranston, New Orleans, Mafia. Love/Hate (Ireland)- Next on the watchlist. Warrior- Wow...Just heard of it...just started...It's an Asian American "Banshee"...So ya. It's flipping awesome. Suburra Blood on Rome Romanzo Criminale Mafia UnderCover (Solo) 1992 (Trilogy 1992, 1993, 1994) The Last Panthers (Currently Watching 1st time) 4 blocks Umbre Sopranos The wire Mob City McMafia Top Boy Dogs of Berlin Gomorrah (Movie) Snowfall Undercover Pusher Trilogy Infernal Affairs Trilogy (Asian " The Departed") Cocaine Coast El Chapo Black Souls Outrage (Asian) The Last Narc (Kiki Camarena Documentary) New World (Asian) Banshee- best hand to hand action show...ever? The Ozarks Aranyelet Cocaine Coast Surviving Escobar (Alias JJ) OZ (HBO) A Ciambre Cannabis MY SUGGESTIONS (Faster paced, modern, dark) Boardwalk Empire - I would hope everyone has seen boardwalk by now. This is the closest you'll come to scratching that Gomorrah itch and a phenomenal show overall. Narcos & Narcos Mexico - my number 1. One of only 2 shows I enjoyed more than Gomorrah Zero Zero Zero -Ive gathered we've all seen it...lol. Gangs of London - Could have been better, but the Gareth Evans fight sequences and overall direction of the show is solid. Bad Blood - loosely based on Canada's most powerful crime family, the Rizzutos. Giri/Haji - 10/10...but it's slow. Just a warning. An "episode a night" kind of show. Peaky Blinders - British Gangs, British History, Tom Hardy, and Cillian Murphy?! Grab a pint you wanker. The Ruthless -loosely based on Giuseppe Morabito's rise in the Ndranghata. The Traitor - Thomaso Buscetta biopic and my own personal favorite mafia movie of all time. Operation Odessa- One of the most entertaining and wildest documentaries I've ever seen. Gotti (1996). The HBO movie is solid as hell. It pisses and takes a shit on John Travolta's Gotti. Fear City: New York and the Mafia - incredible documentary detailing the fall of the 5 family bosses of the 80-90's. Il Capo De Capi (Corleone)- a 6 part show that follows Salvatore Riina from the time he's a boy, to his demise. Gangs of Wasseypur - my oddball pick and the only Indian movie I've ever seen. Indian coal gangs man...Shits intense and violent as hell. Warning...It's long as shit. Piranhas - Rise of the new generation of young Camorra's. Great coming of age story. A Prophet- Best Picture calibre foreign gangster gem. Nameless Gangster (Korea) - It's one of those you just gotta try it if you're skeptical on Asian movies. Take a leap of faith. Additional movies: Donnie Brasco, The Irishman, Casino, Departed, City of God, American Gangster, Triad Election.
I discovered this several months ago but since I have a lot of new members here since then, I need to go over it again. This goes along with my goal of gathering all the evidence I have for Trump being the Antichrist and it's highly relevant. Trump loves gold, or at least making thing appear to be gold. Thats no secret. So why then are only one of his buildings this color and why is it shaped like an obelisk from the back view and lined up with a pyramid, sphinx and obelisk in Las Vegas, aka Sin City? https://preview.redd.it/jw5mjj53miy31.jpg?width=1628&format=pjpg&auto=webp&s=f1aa32bf974357fb44786e8913d9722a11efeeff https://preview.redd.it/cxbal5ufmiy31.jpg?width=1920&format=pjpg&auto=webp&s=46bb5335ae159f2fd84aa5bee7825593094d3d2e https://preview.redd.it/qwu4j7hhuiy31.png?width=707&format=png&auto=webp&s=f15abdbe309c15d7b9e62c1955a7ef39125a0ed0 Obelisks originally represented the benben stone, the rock laid at the foundation of the beginning of the world, and the Benu bird (Egyptian phoenix) by proxy. It is also symbolically Osiris's golden phallus that was created by Isis after his brother Set chopped him up into 14 pieces and Isis found them all except that one so she made a dick out of gold and resurrected Osiris just long enough to impregnate her with Horus before he passed on and became god of the underworld. They were essentially boundary markers for Pharaohs, gods and their temples, erected in pairs. Situated perfectly to catch the sun light at just the right times to honor Ra, the sun god. So if they're erected in pairs, and Luxor Hotel and Casino only has one, where is the other one? https://preview.redd.it/ln16gmk5miy31.jpg?width=2448&format=pjpg&auto=webp&s=cebd5ec41271414270a420f72efeb4a7db36829c Looks strangely like an obelisk from the side view. Now before I go any further, I'm sure this might seem a little far fetchd to some of you. These correlations are merely coincidences (so far) and too much is being read into this. Well what if I told you Trump has another building shaped like an obelisk? One that is a mile away from an actual Egyptian obelisk. What if I told you that this obelisk is associated with an actual Egyptian Temple, called Luxor Temple. Lux is Latin for light. https://preview.redd.it/4tom72kgtiy31.jpg?width=1000&format=pjpg&auto=webp&s=7b2d49ab932ef00db824caeed04e3daa67fc01dd
In Luxor there are several great temples on the east and west banks. Four of the major mortuary temples visited by early travelers and tourists include the Temple of Seti I at Gurnah, the Temple of Hatshepsut at Deir el Bahri, the Temple of Ramesses II (a.k.a. Ramesseum), and the Temple of Ramesses III at Medinet Habu); the two primary cults temples on the east bank are known as the Karnak and Luxor. Unlike the other temples in Thebes, Luxor temple is not dedicated to a cult god or a deified version of the pharaoh in death. Instead Luxor temple is dedicated to the rejuvenation of kingship; it may have been where many of the pharaohs of Egypt were crowned in reality or conceptually
Made of red granite, the obelisk stands about 21 metres (69 ft) high, weighs about 200 tons, and is inscribed with Egyptian hieroglyphs. It was originally erected in the Egyptian city of Heliopolis) on the orders of Thutmose III, in 1475 BC. The granite was brought from the quarries of Aswan, near the first cataract of the Nile. The inscriptions were added about 200 years later by Ramesses II to commemorate his military victories. The obelisks were moved to Alexandria and set up in the Caesareum – a temple built by Cleopatra in honor of Mark Antony or Julius Caesar – by the Romans in 12 BC, during the reign of Augustus, but were toppled some time later. This had the fortuitous effect of burying their faces and so preserving most of the hieroglyphs from the effects of weathering.
Other than Cleopatra moving them to a temple she built in honor for the father of her child, they actually have no association with her. More on that later but here's some interesting gematria that involves Donald Trump, Mark Antony, Augustus and the Little Baron Trump. https://preview.redd.it/iar0mmpauiy31.jpg?width=1776&format=pjpg&auto=webp&s=ca2cc62de3ce591d7ee6cb5b2412d53011950c84 It should be pointed out that his "real" name in the book, when Americanized would be William Henry Sebastian Trump. William and Henry being the names of the current children of Prince Charles. Sebastian being the Greek version of the title Augustus. Augustus being 828 in Strongs Concordance of the Greek in the New Testament of the Bible and being 888 in Jewish gematria. Donald J Trump is 888 and Both Donald Trump and Baron Trump are 828 in English Sumerian gematria. Since Baron is a title and in America we use first and last names when addressing someone, he might be called The Little Baron William Trump or just Baron William Trump. Which is the exact name (save for one extra "r") of Donald Trump's youngest son, Barron William Trump. https://preview.redd.it/nqjvhsg5viy31.jpg?width=1280&format=pjpg&auto=webp&s=e6341b9a46862e6de8134ec50354b1eff08b2072 And just to add the cherry on top. By now we all know the striking parallels of Back to the Future (mainly Part 2) and todays world. You can find an entire post I made about themhere. The most obvious being the Biff Tannen / Donald Trump similarities. In the second movie, 2015 Biff steals the time machine, goes back to 1955 and gives himself a sports almanac so he can get rich betting on the winners and never lose. This of course turns the regular timeline into a hellish nightmare ran by megarich and powerful Biff Tannen. Well when Biff steals the Time Machine, he takes a cab to its location. The name of the cab company? Luxor. https://preview.redd.it/smn41d1auiy31.jpg?width=1748&format=pjpg&auto=webp&s=c1f97a8da29ebbe9daa3801bb926dff9ee1596c0 Yes thats an advertisement for a real cab company named Luxor. Although I doubt it was the inspiration behind the name of the company in the movie. This company has some odd connections to be made. The address, 6616, both numbers of the beast. 616 being the number given from the oldest available text. http://www.luxorcab.com/luxor-history/ The company was founded in 1928. Trump would become elected president 88 years later in 2016. Trump = 88 in simple gematria. https://i.redd.it/tpw7h1k9viy31.gif
Mention taxi cabs and the name Bill Lazar comes to mind – since 1948 Mr. Lazar has been associated with the industry. William G. Lazar was born in Gary, Indiana on January 7, 1918 to parents Jack and Alma joining a family of one brother, Herb and One sister, Mary Warner. After joining Luxor Cab Company in 1950, he became president eight years later.
He joined Luxor in 1950 and became president 8 years later, in 1958. 58 is one of the many numbers strongly correlated to Trump. He became the 58th inaugural president, 58 years after 1958. Trump Tower is 58 stories tall. Trump was 58 when he married Melania and the year the Apprentice debuted. The Trackdown episode that I broke down and posted recently aired in 1958. Just to name a few of the connections. Why 58?
The number 58 was commonly associated with misfortune in many civilizations native to either Central America or Southern America. Due to their beliefs in the original 58 sins, the number came to symbolize curses and ill-luck. Aztec oracles supposedly stumbled across the number an unnaturally high number of times before disaster fell. One famous recording of this, though largely discredited as mere folktale, concerned the oracle of Moctezuma II, who allegedly counted 58 pieces of gold scattered before a sacrificial pit the day prior to the arrival of Hernán Cortés.
What makes this connection particularly bizarre is that Montezuma was mentioned in that Trackdown episode. https://www.youtube.com/watch?v=7C7djab4J9E&feature=youtu.be Montezuma is 119 in Jewish ordinal, just like Donald and Moteuczoma (variant spelling) is 828 in reverse English Sumerian.
William Lazar was a member of Star King Lodge #344; the San Francisco Press Club; Bill Moskovitz Luncheon Club; President of the American Assyrians, as well as President of the First Church of the East.
Star King Lodge? Obviously the man was a Mason and running a company named Luxor just attests to that. The Bible also refers to the great enemy (often thought to refer to the Antichrist) as the Assyrian.
Mary Adams Warner, who came to work for Luxor Cab as bookkeeper in 1962, was the only woman president of a major taxicab company when she served Luxor Cab from 1988 to 2000. Due to her caring, compassionate, and attentive listening, many drivers thought of her and still remember her as the mother figure of all taxicab drivers.
Trump has a sister also named Mary, its his mothers name as well. She became the only woman president of Luxor Cab Company in 1988. She was born in 1922. 22 = 11-11= 88 = H-K. https://preview.redd.it/v2acglvycmy31.png?width=851&format=png&auto=webp&s=a567199015f98e5d85ec5c533df4ac0095c02620 Enough Lux connections? How about the fact that Trump is known for his love of LUXury and his brand emphasizes that. Or that the makers of Dove Soap make another brand called Lux. Or that the actor who played Walter Trump in that Trackdown episode (Lawrence Dobkin) did work on a radio anthology series during the 1950s called Lux Radio Theater?
Back to Las Vegas
If you'll notice, I have a tendency to take images, split them in half and mirror them. This is one way the rulers of this planet hide their works. Even the Bible references this.
Isaiah 29 15 Woe to those who go to great depths to hide their plans from the LORD, who do their work in darkness and think, "Who sees us? Who will know?" 16 You turn things upside down, as if the potter were thought to be like the clay! Shall what is formed say to the one who formed it, "You did not make me"? Can the pot say to the potter, "You know nothing"?
When Hermes was born, he stole some of Apollo's (his brother) cattle and made them walk backwards to hide their tracks. We're the cattle. So Trumps building is a golden obelisk lined up with the Luxor obelisk in Las Vegas and obelisks represent Osiris golden phallus which was used to impregnate Isis who would give birth to Horus. Pharaohs were thought of as living god kings. In fact, God King = Pharaoh in 12 different types of gematria which I don't even know if there are another 2 words that exist that match that well. (Donald Trump and Lapis Lazuli comes close at 8 matches). Each Pharaoh in Ancient Egypt was considered to be Horus and essentially a messenger of the gods (just like Hermes) and in death, became associated with Osiris. So what happens when you go on Google Maps and mirror the overhead view of Trump's golden Hotel in Las Vegas? The Egyptian god Horus seems to appear. https://preview.redd.it/xkkcb85nmiy31.jpg?width=2772&format=pjpg&auto=webp&s=142d4d62300b7fdd1fcfe2fe03923dee43ac7a99 https://preview.redd.it/yp0tiwk7uiy31.jpg?width=2326&format=pjpg&auto=webp&s=e63836f092cd8f79121c9e732c94720253378d02 When mirroring something, you're essentially creating a backwards copy of it and laying them both side by side. So mirroring Trumps building means creating a 2nd building right next to it. Well that is exactly what Trump originally planned to do. https://en.wikipedia.org/wiki/Trump_...s#Second_tower
In April 2007, the second tower was the subject of an episode of The Apprentice in which the show's candidates were tasked with creating a marketing program for the new tower. Condo units for the tower went on sale the next day. Trump said the tower would be nearly identical to the first tower, and would also include 1,282 units. Because of rising construction expenses, the second tower was expected to cost $625 million, which would have brought the total cost of Trump International Hotel and Tower to $1.1 billion. This number was later reported to be $1.2 billion in February 2008, at which point the second tower was expected to begin construction at the end of the year. In April 2008, Trump said he had not decided on a start date for the second tower, choosing to wait until all sales had closed on the first tower's rooms. At that time, reservations were still being accepted for the second tower's units.The second tower was ultimately put on hold because of bad credit markets. In August 2015, Eric Trump spoke of the potential for the second tower: "I think in time it's a very good possibility."
Do I think this was done on purpose? That Trump made sure the ground behind his building would look like Horus if someone with too much time went on Google maps and mirrored a satellite view of his building? No. I think a lot of things people think are orchestrated by humans are actually done without any knowledge of the people doing them. I think we are all under the influence of forces that we don't understand and some are following a script that they don't even know exists. I consider this like a fingerprint or a wink from the Matrix. But this is not the only thing found at this location. https://reddit.com/link/dvyye1/video/hgvtfvga8iy31/player Thats the Hindu goddess of death Kali and Magneto's helmet from X-Men. The image of Kali was projected onto the Empire State building years back and so was Trump's when he won the election. Trump had been trying to acquire complete ownership of the building for a while before ultimately selling his part after his plan failed and he got sued. Magnetism's relationship to this entire thing could be its own post but (once again) it was mentioned in the Trackdown episode as Walter Trump claimed to have a metal he called Magnetium that was created in the "smelters of old Montezuma" that could repel falling iron ore meteorites. Magneto also sports a familiar symbol on the cover of this X-Men comic. A logo for the "Hellfire Club", which is headed by a man named SEBASTIAN Shaw. https://preview.redd.it/88mxerx58iy31.jpg?width=1212&format=pjpg&auto=webp&s=8a7dd3d2d799ecb9b4b14300eb7f8af19b10aeb0 https://en.wikipedia.org/wiki/Hellfire_Club_(comics))
The Hellfire Club is a fictional society appearing in American comic books published by Marvel Comics. The Hellfire Club often comes into confrontation with the mutant superhero team, the X-Men. Although the Club appears to merely be an international social club for wealthy elites, its clandestine Inner Circle seeks to influence world events, in accordance with their own agenda.
Hellfire Club was a name for several exclusive clubs for high society rakes established in Britain and Ireland in the 18th century. The name is most commonly used to refer to Sir Francis Dashwood's Order of the Friars of St. Francis of Wycombe. Such clubs were rumoured to be the meeting places of "persons of quality" who wished to take part in socially perceived immoral acts, and the members were often involved in politics. Neither the activities nor membership of the club are easy to ascertain. The clubs were rumoured to have distant ties to an elite society known only as The Order of the Second Circle.
"The crowned Horus Bull of Victory Arisen in Thebes. ............................. The lord of the Vulture and Uraeus crowns Prolonged as to kingdom, Even as the sun in the heavens. By Tum lord of On begotten, Son of his loins, who hath been fashioned by Thot, Whom they created in the great-temple With the perfections of their flesh, Knowing what he was to perform, Kingdom prolonged through ages, King of Upper land Lower Egypt Men-kheper-ra (Thutmosis III) Loving Tum, the great god With his cycle of divinities, Who giveth all life stay and sway Like the sun forever." North Face "The crowned Horus Tall with the southern crown Loving Ra ............................................. "The king of the Upper and Lower Egypt Men-kheper-ra (Thutmosis III), The golden Horus, content with victory, Who smiteth the rulers of the nations-- Hundreds of thousands In as much as father Ra Hath ordered unto him Victory against every land, Gathered together; The valor of the scimeter In the palms of his hands To broaden the bounds of Egypt; Son of the Sun, Thutmosis III, Who giveth all life forever." Inscription of Ramses II "The crowned Horus, Bull of victory Son of Kheper-ra ................................................ "The king of Upper and Lower Egypt User-ma-ra (Ramses II) The chosen of Ra, the golden Horus Rich in years, great in Victory, Son of the Sun, Ramses II, Who came forth from the womb To receive the crowns of Ra; Fashioned was he to be the sole ruler, The lord of the two lands, User-ma-ra (Ramsas II), The chosen of Ra, son of the Sun, Ramessu Meiamun (Ramses II), Glorified of Osiris Like the Sun life-giving forever." North Column "The crowned Horus Bull of victory Loving Ra ....................................... "The king of Upper and Lower Egypt User-ma-ra (Ramses II) The chosen of Ra, The Sun born of divinities Taking the Two Lands Son of the Sun, Ramessu Meiamun (Ramses II) The youth Beautiful for love, Like the orb of the Sun When he shines in the horizon, The lord of the Two Lands, User-ma-ra (Ramses II) The chosen of Ra, Son of the Sun Ramessu Meiamun, Glorified of Osiris, Life giving like the Sun forever."
This is the continuation of my series highlighting specific critic's criticisms of TLJ. Part I on Humor is here, which also details my reasoning for this mining operation. Here we are covering Canto Bight, and we have everything from run of the mill iodized stuff to hail-sized rock salt on display, so adjust your goggles accordingly.
Johnson overplays his hand occasionally — most notably an unnecessary sequence at the casino city of Canto Bight that goes straight from a political sermon into a plot hole
Ethan Sacks, New York Daily News - Fresh
The bad news is, this involves an unnecessary trip to a kind of casino planet that doesn’t really advance the story.
Bill Goodykoontz, Arizona Republic - Fresh
A scene in an opulent casino is easily the most painful yet in this new generation of Star Wars flicks, eliciting images of the green screen busy set pieces of the early-2000 franchise additions, enticing to the youngest members of the audience who need their stories overly padded with shiny spectacle.
Matt Oakes, Silver Screen Riot - Fresh
Boyega is a loveable hero, and his new compadre Rose (Kelly Marie Tran) is a nice addition. However, as much as it isn’t overbearing, their entire sub-plot is when the adventure loses steam. This moves the film away from where all the interest is – Luke. At this point, it becomes a little disjointed and unnecessary, never reaching a point of excitement required for a chunk of plot of this degree.
Cameron Frew, FrewFilm - Fresh
an extended digression with Finn and Rose that doesn’t end up counting for much plotwise
Bob Chipman, Moviebob Central - Fresh
Sadly, Boyega's Finn -- still an appealing character -- is saddled with a go-nowhere plot-line that has him and Resistance mechanic Rose show up at a space casino and cross paths with a rogue with a heart of a gold (or maybe just rogue?) played by Benicio Del Toro. There's the kernel of interesting idea there as we glimpse the socioeconomic underpinnings of this galaxy far, far away in a way we've never seen before, but it's a digression whose payoff doesn't warrant the build-up. And when you're already the longest Star Wars ever made (two and a half hours!), some snipping here and there might not have been a bad idea.
Zaki Hasan, Zaki's Corner - Fresh
I’m not a big fan of Finn and Rose’s side adventure, which has the air of a spinoff story being tacked onto the main narrative (probably to give Finn a purpose, since Rey is doing her own thing with Luke). Apart from showcasing the power of hope on a younger generation, it’s not as well integrated into the seams of the larger story as it could’ve been.
Tomas Trussow, The Lonely Film Critic - Fresh
It’s Finn’s mission which takes the film off on a diversion where it didn’t really need to go. There’s a lot of comedic hijinks involved in all of this which George Lucas would have excised from the first draft of anything he ever wrote.
Niall Browne, Movies in Focus - Fresh
Much of the Canto Bight sequence feels unnecessary
Molly Templeton, Eugene Weekly - Fresh
First, both prominent new characters Rose and DJ seemed shoe-horned in, and Rose especially doesn't seem to have a real place in this film nor does she add anything to be hopeful about in the future. And while both Rey and Poe fans will probably be pleased with where their characters go, Finn sort of takes a step back, as he is sent off on a side adventure that seems like second-tier Star Wars. It's a diversion that takes up a good portion of the film and really serves no purpose to the overall story...worse yet, it seems to contain some heavy-handed political messages not commonly found, at least not this blatantly, in the Star Wars universe. These are more than just quibbles too: Most fans will not be used to the slow, lumbering pace or the general unevenness of this film...especially coming on the heels of the action-packed pacing that JJ Abrams brought in Episode VII.
Tom Santilli, AXS.com - Fresh
There’s some stuff that feels extraneous (the whole Canto Bight sequence, which seems to exist to set up a new Lando-like character played by Benicio del Toro), and the cycle of attack and retreat — mostly retreat — gets a bit monotonous.
Rob Gonsalves, eFilmCritic.com - Fresh
Muchas de las situaciones se sienten forzadas e innecesarias (por ejemplo, la aventura de Finn y Rose, me parece innecesaria).
Ruben Peralta Rigaud, Cocalecas - Fresh
Their jaunt to the casino planet of Canto Bight serves little purpose besides introducing Del Toro, updating the cantina scene, and offering up a tired CGI chase scene that wouldn’t have looked out of place in Attack of the Clones. Kudos (maybe) to Johnson for introducing income inequality to the Star Wars universe, but the entire sequence feels rushed and shoehorned into an already long movie.
Pete Vonder Haar Houston Press - Fresh
The weakest of these is Finn's. It's briskly paced and full of action yes, but let's just say a casino is no cantina... Worse, it also sees him interacting with Prequel Trilogy levels of CGI critters.
Karl Puschmann, New Zealand Herald - Fresh
But the worst distraction “The Last Jedi” has to offer involves erstwhile Stormtrooper Finn (John Boyega) and a Resistance maintenance worker named Rose (Kelly Marie Tran), a subplot every bit as visually and narratively inept as Lucas’ prequels were taken as.
J. Olson, Cinemixtape - Rotten
Finn’s entire storyline could be cut and the film would be better off. As Finn was one of the driving-force leads of The Force Awakens and also a charming character, this is a disappointing development. His adventure is such a low point that it would not seem out of place in one of George Lucas’ efforts from between 1999 and 2005, and it serves little purpose to the film’s overall plot.
Alex Doenau, Trespass - Fresh
there’s too much going on in The Last Jedi, and a lot of it feels like filler. Besides the aforementioned, stalled-out space battle, there’s a clunky sequence in a casino that goes on far too long, a lot of distracting cameos, and new characters inhabited by Laura Dern and Benicio del Toro, who bring close to nothing to the proceedings.
Bob Grimm, Reno News and Review - Fresh
Finn and Rose (a new addition to the principal cast) distract the audience with an overlong and ultimately unnecessary side plot.
Richard Dove, International Business Times - Rotten
And this plotline feeds right into the absolutely unforgivably terrible subplot, which is the adventures of Finn (John Boyega) the cowardly ex-storm trooper, and Rose (Kelly Marie Tran), the class-conscious engineer, who go on a fetch quest that is every bit as pointless as the whole matter of the military nonsense, only even worse, because it hinges on terrible comedy, bad CGI, and a spectacularly horrible moment when Johnson stops the film in its tracks to provide a ruthlessly on-the-nose lesson about economic inequality and the military-industrial complex.
Tim Brayton, Alternate Ending - Rotten
Some of what happens on the casino planet — called Canto Bight, and sure to figure in the next film — is goofy on a level as cringe-inducing as things we saw in the prequel trilogy; like, Jar-Jar Binks–awful.
MaryAnn Johanson, Flick Filosopher - Fresh
Johnson does his best to hustle from one location to the next, but the narrative has a tendency from time to time to drag. The biggest example of this are the scenes on Canto Bight. Which is a shame, because a huge chunk of the film’s message is established on these scenes. But the very nature of the story, with its many moving parts, inadvertently makes this section of the film feel like a diversion.
Chris Evangelista, Slashfilm - Fresh
The humour is kind of sour in other places, too, such as the silly neo-cantina scene as Finn and Rose track the whereabouts of a mysterious encrypter, who might be the rebellion’s last hope, into a sort of galactic Monte Carlo. The abundance of slapstick there and in other parts of the film doesn’t click and feels forced.
Diva Velez, TheDivaReview.com - Fresh
In an unnecessary and quite frankly preposterous third subplot, Finn (John Boyega) and a new character, Rose Tico (Kelly Marie Tran), race against the clock to locate an underworld figure who can help them neutralise the First Order’s tracking device, thus allowing the diminished rebel fleet to escape.
Vicky Roach, Daily Telegraph (Australia) - Rotten
Weak points come with awkward humour that lacks comedic rhythm and an unnecessary casino escapade, where a disposable underworld character DJ (Benicio del Toro) is introduced, that subsequently soft lens into what is essentially a children's adventure tale about animals
Craig Takeuchi, Georgia Straight - Fresh
Unfortunately, we keep getting dragged away from the only emotionally resonant portion of the film to watch Finn and Rose engage in sub-prequel hijinks on the casino planet. Everything here is forced and awful, visually uninteresting and often dark to the point of unwatchability, lousy with mawkish little kids making bug eyes at the camera as we marvel at the horror of economic inequality, and drowned in an atrocious patina of truly terrible CGI. It calls to mind the droid factory in Attack of the Clones and the pre-podrace sequence in The Phantom Menace. Most offensively, the whole Finn/Rose diversion has absolutely no importance to the forward momentum of the plot—it's utterly irrelevant, even nonsensical.
Sonny Bunch, Washington Free Beacon - Rotten
Not everything in the film works: a few of the goofier comic moments fail to land and true to the legacy of Lucas there’s a fair amount of eye-wincing dialogue. More importantly, the second act bows under the weight of too many narrative strands; Finn’s away mission comes off as a bit superfluous, as does Laura Dern’s Vice Admiral Holdo, and both Rose and the beloved Chewbacca (Joonas Suotamo) are sadly underwritten. In a trade-off that brings scope and complexity, Johnson has sacrificed narrative efficiency.
Christopher Machell, CineVue - Fresh
I didn't like the sequence in a casino--a callback to the Star Wars Cantina, of course, but also a chance to discuss the evils of war profiteers and the 1%. There are creatures there, there's slapstick, there's a heist of sorts, and it all harks back to my favourite of Johnson's films, The Brothers Bloom, in the interplay between the characters, in the lightness and clarity of the scheme. But it's tonally disruptive, and it introduces a trio of children who seem like part of a different film.
Walter Chaw, Film Freak Central - Fresh
Finn and Rose’s trip to a gambling planet – basically a space Monaco – flits between light fun and on-the-nose political narrative.
Richard Whittaker, Austin Chronicle - Fresh
It also begs the question why the space casino sequence, arguably the least relevant to the core story, wasn’t dramatically trimmed back. Aside from a throwaway final shot, this section of the film is the weakest – designed to depict profiteering space-capitalism run rampant (ironically, also depicting a stable of space-horses also running rampant).
Patrick Kolan, Shotgun Cinema - Fresh
But as ingenious as this setup may be, it also gives rise to the film's most pointless subplot. After waking from his coma, Finn (John Boyega) contrives a means by which he can disable the New Order's tracking device, albeit one that requires him to sneak off the fleeing vessel, travel to a Monaco-styled casino planet, track down a master codebreaker and infiltrate the enemy's warship undetected. This enormous MacGuffin sees Boyega partnered with the charming Kelly Marie Tran as Rose Tico, a Resistance engineer low in status but high in pluck. The problem is that their side adventure does absolutely nothing to advance the actual story.
Tom Glasson, Concrete Playground - Fresh
Unfortunately, John Boyega’s Finn, Oscar Isaac’s Poe and Kelly Marie Tran—as Finn’s new partner-in-rebellion Rose—are given the equivalent of busywork while the rest of the cast moves the plot along.
Simon Miraudo, Student Edge - Fresh
A detour to a casino planet where Finn and a resistance mechanic named Rose (Kelly Marie Tran) search for a codebreaker to help them disrupt the First Order's tracking of the retreating resistance ships feels like a trip into another movie. The stakes here seem far lower than the live-or-die scenario facing Poe, General Leia Organa (the late Carrie Fisher) and the others trying to make their getaway.
Greg Maki Star-Democrat (Easton, MD) Fresh
The only characters not doing a huge amount of growing are Finn (John Boyega) and mechanic Rose Tico (Kelly Marie Tran), and not for nothing, their subplot opens up a momentum drain that is the only weakness in The Last Jedi. Boyega and Tran are perfectly enjoyable, and their subplot isn’t a complete waste of time, but you start to feel the length of The Last Jedi when it veers off with them, and Finn’s arc is a pale echo of Poe’s so it’s not like much is being accomplished.
Sarah Marrs Lainey Gossip Fresh
Rey’s journey toward learning the ways of the Jedi is far more entertaining than Finn’s convoluted (and ultimately pointless) storyline
Josh Bell Las Vegas Weekly Fresh
Rose’s character is front and center in the film’s weakest sequences. We’re diverted to a city where the worst of the worst frolic. No, not the usual hives of scum and villainy. It’s a casino where the very, very rich cavort. The evil One Percenters! If you’re not immediately yanked out of the story here you deserve a prize. The accompanying dialogue is equally clunky, as is the reason all these vapid souls gained their fortunes.
Christian Toto, HollywoodInToto.com - Rotten
Far less successful is the time spent with the rebels on the run from Hux and the First Order. Not only is it centered on the slowest space chase in sci-fi history, but subplots featuring Poe, Finn (John Boyega), and Rose (newcomer Kelly Marie Tran) go absolutely nowhere. Sure we get introduced to DJ (Benicio Del Toro) and Vice Admiral Holdo (Laura Dern), but it’s with actions that fail to connect either through sheer stupidity or the simple truth that their absence wouldn’t change the story in the slightest. They’re obvious filler, and as is the Disney way (witness their Marvel films) the studio’s never met a character that couldn’t be jammed into a movie for no reason other than the misguided belief that more is better. Finn and Rose’s adventure in particular offers some additional action beats and a visit to a casino — think the Mos Eisley Cantina scene from Star Wars, but for the 1% — but it is meaningless noise.
Rob Hunter, Film School Rejects - Fresh
Meanwhile, what feels too much like the “B plot” side adventure has Finn and Rose on a mission that takes them into another film entirely, a sort of intergalactic James Bond-meets-Free Willy. It’s hard not to feel that their entire subplot could be axed in order to make The Last Jedi stronger and tighter, which is unfortunate.
Kaila Hale-Stern, The Mary Sue - Fresh
There is a whole section that feels out of kilter and harks back to the CGI naffness of the prequels — and is also virtually pointless to the plot.
Jamie East, The Sun (UK) - Fresh
The film’s epic 150-minute runtime allows plenty of room for Johnson’s inventiveness, but there’s also a tiny bit of fat in the middle of the movie, specifically in the Canto Bight scenes with Finn and Rose. The casino city itself is gorgeous and has some crazy-cool characters, plus Finn and Rose’s presence there shines a light on some new, worthwhile themes for the Star Wars franchise. However, in terms of the overall story, the whole escapade feels a little pointless and small. It doesn’t help that Benicio del Toro’s new character, DJ, who is part of the same storyline, is largely insignificant.
Germain Lussier, io9.com - Fresh
Star Wars: The Last Jedi does have a clear weak spot -- specifically the side plot that develops between Finn (John Boyega) and newly-introduced Resistance member Rose Tico (Kelly Marie Tran). Following a genuinely funny meet-up between the two characters, they are given their own special mission searching for a codebreaker who can assist in the battle against the First Order. But this storyline never feels particularly inspired or impactful as everything else going down in the movie. While it is constructed to fit with the larger themes of the film, features its own interesting expectation-flipping turns, and does eventually have a key impact on the macro scale, it's also the only part of the feature that ever feels expendable, and not helping anything is that it features the weakest visual effects of the blockbuster (especially during a second-act chase sequence).
Eric Eisenberg, CinemaBlend - Fresh
Finn and Rose’s mission takes them to Canto Bight, a kind of Monte Carlo peopled by extras from Babylon 5, and feels like it is just ticking the Weird Alien Bar box started by the Cantina. A ride on space horses also feels like a needless diversion, as does Benicio Del Toro’s space rogue, whose strange, laconic presence never really makes its mark.
Ian Freer, Empire Magazine - Fresh
It’s a shame, then, that the righteousness of Finn and Rose’s place in the film is undermined slightly by the limpness of their mission. Perhaps feeling there had to be some kind of Mos Eisley–esque sequence in the film, Johnson sends the pair to a casino city full of all kinds of creatures. It’s fun, sure, but the whole operation ultimately turns out to be a red herring. At least there’s some nice musing on liberation during this stretch, reminding us of the real stakes of this long story—freedom is, after all, what the Empire denies and the Rebel Alliance promises. And in a gorgeous third-act sequence—which includes the film’s true Empire Strikes Back homage—Finn and Rose finally get the emboldened moments they deserve. I just wish they fit more integrally into the central thesis of the film, that they were just as special, in their way, as Rey is, glinting with messianic power as she ascends.
Richard Lawson, Vanity Fair - Fresh
Of the three simultaneous plots, it’s Finn’s that sometimes drags down the energy, particularly with an introduction of a shady thief played by Benicio del Toro, the only new addition to the cast that doesn’t quite work; he seems to be acting in his own private movie, and it’s not as good as this one.
Will Leitch Paste Magazine - Fresh
Where the film struggles the most is on Canto Bight. Taken on her own, Rose isn’t a bad addition to the Star Wars mythos, and the movie definitely needs someone to play against Finn. Unfortunately, they lack the electric chemistry we saw between Finn and Rey in The Force Awakens, and their secret mission in a casino feels like it should be far more entertaining than it actually is.
Matt Goldberg, Collider - Fresh
Some action sequences are superfluous and unengaging. Benicio del Toro all but cameos as a sort of hobo hustler, while John Boyega’s Finn is sidelined, relegated to relatively inconsequential hi-jinx.
Alex Godfrey, GQ Magazine [UK] - Fresh
Finn (John Boyega) and newcomer Rose (Kelly Marie Tran) attempt an espionage mission that takes them to what is the Star Wars equivalent of the French Riviera. It’s a casino city named Canto Bight, and their adventures here push the Rick’s Café sensibilities from the original Star Wars’ cantina sequence to their limit. Nevertheless, this entire subplot amounts to a whole lot of padding while the real tough and revelatory decisions are made on Ahch-To.
David Crow, Den of Geek - Fresh
Plot-wise, I felt the entire side story at the casino world of Canto Bight was unnecessary. If you cut the entire sequence out of the film, it would have little impact on the core narrative.
Scott Chitwood ComingSoon.net - Fresh
Finn (John Boyega) wakes up, meets a admiring fan down in maintenance named Rose Tico (Kelly Marie Tran) and they head off on their own adventure, a detour that somehow combines the louche slickness of Cloud City and moralizing at its most Disney.
Joe Gross, Austin American-Statesman - Fresh
But The Last Jedi’s two-and-half-hour sprawl still includes an awful lot of clunky, derivative, and largely unnecessary incidents to wade through in order to get to its maverick last act. This is especially true when it comes to the plausibility-straining mission of stormtrooper turned Rebel Alliance fighter Finn (John Boyega) and puckish series newcomer Rose Tico (Kelly Marie Tran).
Sam C. Mac, Slant Magazine - Rotten
There are a couple of big names that fail to deliver much aside from, perhaps, realizing their childhood dreams of being in a “Star Wars” movie. A trip to a city that might as well be called Space Macau also fails to pay many dividends.
Christopher Lawrence, Las Vegas Review-Journal - Fresh
Case in point is the plot involving Finn (John Boyega) and new hero Rose's (Kelly Marie Tran) McGuffinesque mission to Canto Bight, which is of the ashtray-on-a-speederbike variety, and takes away from the tension cranked up elsewhere.
Harry Guerin, RTÉ (Ireland) - Fresh
The remaining 20% is made up of two different locales, one of which is entirely superfluous to the story. Essentially, there is a subplot that introduces Benicio del Toro’s mysterious work of eccentricity, except it doesn’t really do much of interest with him. Admittedly, it feels as if the character could be destined for bigger things in the final chapter, but I can only go off of what I watched, and well, the middle portion of The Last Jedi is stuck in the furthest setting from lightspeed. The journey expands to a space-Vegas full of various alien life forms and inhabitants, but it’s not as visually striking as previously explored planets. Additionally, by design, there seems to be filler injected simply because the other characters need things to do while Rey accomplishes what she needs to with Luke.
Robert Kojder, Flickering Myth - Fresh
The scenes on Canto Bight seemed like an unnecessary divert for Rose (a new character I actually really like) and Finn. This “casino planet” was like a scene right out of a low-budget Sy-Fy channel movie shot in Vancouver. It felt too familiar and earthbound to be a scene in an other-worldly scene in a Star Wars movie. The Rose/Finn alien horse race through the casino that ruined the galactic one-percenters good time and did some property damage was just ridiculous and should have been cut. Rose and Finn flopping around on the alien horse just looked like a bad theme park ride.
Chris Gore, Film Threat - Fresh
There’s a lengthy diversion to the casino planet of Canto Bight that feels pointless and tacked on just for the sake of giving us a cool new corner of the galaxy to feast our eyes on.
Chris Nashawaty, Entertainment Weekly - Fresh And that's it for Part II. Happy Holidays to all my fellow fans and miners! Next week I will conclude with Part III, which will cover- well, let's just say it's the longest of this series by far. Heh.
No good movie is too long and no bad movie is short enough. -Roger Ebert The length of TLJ was the most common criticism by far, with 50% of RT Top Critic's citing it as a problem. Thus, this is the longest entry of this series, and possibly the last, unless I do a smaller part on niche issues. Previous parts cover Humor and Canto Bight.
The movie is overstuffed with plot, and by the time the visually intoxicating and eye-popping last showdown happens, it feels like a set piece that should have been saved for the next film. At a whopping two hours and 32 minutes, “The Last Jedi” overstays its welcome just a tad.
Katie Walsh, Tribune News Service - Fresh
Writer-director Rian Johnson steps into the franchise fray and does a creditable, if uninspired, job. At about 2-1/2 hours, it’s a long sit.
Peter Rainer,Christian Science Monitor - Fresh
Rian Johnson delivers a film that’s a bit too long at 2½ hours
Calvin Wilson, St. Louis Post-Dispatch - Fresh
Does the movie, like its predecessor, rely on familiar tropes a bit more than it should? Yes, I think it does. Is it, at a solid two-and-a-half hours, considerably longer than it needed to be? Yes, that too.
Christopher Orr, The Atlantic - Fresh
It’s simply too long at two hours and 36 minutes – and sometimes too damn much. The screen is so crowded with character and incident that you might need a scorecard to keep up.
Peter Travers, Rolling Stone - Fresh
The problem is that the narrative threads connecting them are lazily knitted and sometimes tangled or broken. The overall plot is underwhelming and there’s far too much padding, especially during the first hour. There’s a sense that Johnson is giving busy-work to certain characters while others are catching up. The Last Jedi is a great 105-minute movie stretched too thin.
James Berardinelli, ReelViews - Fresh
The midsection sags and, other than the heroes’ desperate attempts to survive, there’s no central story line to pull the various satellites of action in its wake. Some of the characters, like Captain Phasma, get frustratingly little screen time.You feel the 2½-hour length at points.
Ty Burr, Boston Globe - Fresh
The movie, though - at 152 minutes, easily the lengthiest in the series - drags in the middle, particularly when Rose and Finn go off on a complicated mission to disable an enemy tracking device. The subplot not only goes nowhere, it takes forever to do so, and makes me wonder if this new trilogy is going to have the same problem as the prequels - material for two terrific films stretched out over three.
Stephen Whitty, Newark Star-Ledger - Fresh
The film’s paunchy middle section includes a trip to a casino that might better have ended up on the cutting-room floor. The unnecessary padding accounts for the 152-minute running time, a franchise record, which will test the patience (and bladders) of even the most devoted followers.
Peter Howell, Toronto Star - Fresh
Nor is its frankly excessive 152-minute running time. There is no excuse for a long, inessential stampede of runaway space horses that has zero value beyond the sheer "Ben-Hur" spectacle of the thing.
Colin Covert, Minneapolis Star Tribune - Fresh
Johnson's many additions become too much of a good thing and The Last Jedi grows crowded, busy and long. Johnson's dialogue is flat and sounds stilted in the mouths of his younger actors, while their comic delivery can be so offhand that it dismisses the jokes.
Kate Taylor, Globe and Mail - Rotten
The film simply drags too much in the middle. Somewhere in the film’s 152-minute running time is an amazing 90-minute movie.
Chris Nashawaty, Entertainment Weekly - Fresh
Johnson at times overreaches trying to balance these separate storylines and myriad of characters into one cohesive unit. Lupita Nyong’o has nothing to do in her glorified cameo appearance, while the Del Toro section fails to reach its potential. The result is a bloated running time of about 2 ½ hours — that includes about seven different points in which I was sure the movie was going to end only to see it continue to plow ahead. You always want your Star Wars films to move at light speed, not drag in the middle.
Mara Reinstein, Us Weekly - Fresh
At other points in the 152-minute film, time should have been compressed, and wasn’t. The storytelling bogs down in a middle section having to do with finding a code-cracker who can gain access to an enemy destroyer. (A dubious character played by Benicio Del Toro isn’t sufficiently amusing.) Kylo’s inner conflicts, while central to the plot, leave him looking awfully mopey for long periods of time as he struggles to resolve them.
Joe Morgenstern, Wall Street Journal - Fresh
With a running time of two and a half hours, “The Last Jedi” drags a bit in the second act. Ridley and Hamill are great together, but the Reluctant Jedi act plays on for at least one scene too many.
Richard Roeper, Chicago Sun-Times - Fresh
Johnson’s effort is ultimately a disappointment. If anything, it demonstrates just how effective supervising producer Kathleen Kennedy and the forces that oversee this now Disney-owned property are at molding their individual directors’ visions into supporting a unified corporate aesthetic — a process that chewed up and spat out helmers such as Colin Trevorrow, Gareth Edwards, Phil Lord and Christopher Miller. But Johnson was either strong enough or weak enough to adapt to such pressures, and the result is the longest and least essential chapter in the series.
Peter Debruge, Variety - Fresh
Unfortunately, The Last Jedi has almost as much Attack of the Clones as it does The Empire Strikes Back in that it’s overlong, under-edited and has at least one particularly long-winded CGI flurry of a sequence that harkens back to the darkest days of the franchise. There’s no whining about sand getting everywhere and the acting is really strong across the board (Hamill is particularly great back in Jedi robes, ham and all) but The Last Jedi could definitely have used a second editorial pass.
Matt Oakes, Silver Screen Riot - Fresh
At 2 1/2 hours, Star Wars: The Last Jedi could have been tightened-up in the editing room, cutting out that bloated middle section and removing things like Maz Kanata’s cameo and the cute slave kids which feel like they dropped in from a totally different movie. When it works, it really works but when it doesn’t, it feels like bad fan-fiction with a million dollar budget.
Niall Browne, Movies in Focus - Fresh
I can only wonder what The Last Jedi might have been with Finn and Poe taking a backseat (like how the latter was absent for three-quarters of The Force Awakens) so thirty minutes could be cut and the “important” stuff made tighter. Because there is a great film within what’s ultimately a good one.
Jared Mobarak, BuffaloVibe - Fresh
Whereas the first half is a sort of a convoluted mess just for the sake to pad out the runtime especially with an inconsistent tone, "The Last Jedi" becomes a dark and exciting sequel that becomes the film you've been looking for by the 75-minute mark.
Rendy Jones, Rendy Reviews, Fresh
the film is probably 10-15 minutes too long. Yes, Snoke (Andy Serkis) was not given near enough explanation and Phasma (Gwendoline Christie) was wasted.
Robert Daniels, 812filmreviews - Fresh
It's a two-and-a-half hour movie. It needs to be good in its own right, not just setting up for the next episode.
Tony Baker, Tony Baker Comedy - Rotten
Johnson ends up biting off more than he can chew. He's juggling too many storylines, and takes too long to move the narrative forward. Fatigue sets in about three-quarters of the way in. He doesn't heed the lesson of the chapter “Jedi” often resembles, “The Empire Strikes Back.” That film, still the best “Star Wars.,” ended with a whopper of a cliffhanger. Johnson resists the urge to leave most of his strands unresolved, and as a result his film begins to feel unwieldy when it should be picking up momentum. At two and a half hours, it could have used a trim of at least 15 minutes.
Ruben Rosario, MiamiArtZine - Fresh
but there are problems with the first half of "The Last Jedi." After an exciting initial space battle, to say that the mid-section of the movie drags would be an understatement. First, both prominent new characters Rose and DJ seemed shoe-horned in, and Rose especially doesn't seem to have a real place in this film nor does she add anything to be hopeful about in the future. And while both Rey and Poe fans will probably be pleased with where their characters go, Finn sort of takes a step back, as he is sent off on a side adventure that seems like second-tier Star Wars. It's a diversion that takes up a good portion of the film and really serves no purpose to the overall story...worse yet, it seems to contain some heavy-handed political messages not commonly found, at least not this blatantly, in the Star Wars universe. These are more than just quibbles too: Most fans will not be used to the slow, lumbering pace or the general unevenness of this film...especially coming on the heels of the action-packed pacing that JJ Abrams brought in Episode VII.
Tom Santilli, AXS.com - Fresh
Star Wars: The Last Jedi is also, at two hours and thirty-two minutes, the longest of the nine movies thus far, and deep into the second hour it can feel a little draining. There’s some stuff that feels extraneous (the whole Canto Bight sequence, which seems to exist to set up a new Lando-like character played by Benicio del Toro), and the cycle of attack and retreat — mostly retreat — gets a bit monotonous.
Rob Gonsalves, eFilmCritic.com - Fresh
At times it burns a tad too slow: two-thirds through its jam-packed 152 minutes, I felt the need for a 7th-inning stretch.
Michael Sragow, Film Comment Magazine - Fresh
Aunque este clímax habría funcionado bien como final, “The Last Jedi” no termina (desafortunadamente) después de esto. Es seguido por otros 40 minutos, con baches, en los que los héroes se reúnen y tienen que pelear una batalla final. Sin embargo, la película pierde un poco de su trazabilidad aquí, cuando los personajes, las fuerzas y las explosiones siempre aparecen exactamente donde se necesitan para la trama.
Ruben Peralta Rigaud, Cocalecas - Fresh
The movie’s main failing is that it tries to stuff too much plot into its over-long 2 hour and 30 minute run time. The result is an ending that feels endless and anti-climactic while several elements that could have been gob-smacking feel rushed and underdeveloped. It particularly does a disservice to Kylo Ren, as we’re never quite sure what his motivation is.
Megan Basham, WORLD - Fresh
I both loved it and strongly disliked it at the same time. I feel like there's a really great movie in there, all the pieces are there, everything is brilliant, but then there's a lot of extra fat that needed to be trimmed off or rearranged or omitted completely.
Steph Cozza, Aggressive Comix - Fresh
At two-and-a-half hours, with about nine separate cliffhanger endings, it’s a bit long
Bill O'Driscoll, Pittsburgh City Paper - Fresh
If you can accept the excess, the weird humour, the entirely inessential subplot, and the fact that it could stand to end a scene earlier, then the series will continue to thrive in a galaxy far, far away.
Alex Doenau, Trespass - Fresh
The script is flabby; every scene has purpose, but certain aspects feel overlong and jarring. Just like Lord of the Rings: Return of the King, it also suffers several endings too many.
Owen Richards, The Arts Desk - Fresh
At two and a half hours, this is the longest Star Wars picture to date, and I wondered if they’d tried to pack too much in.
Molly Laich, Missoula Independent - Fresh
I’m saying some of this movie seems a little half baked, and also overstuffed. If there’s any kind of movie I want to be over two and a half hours long, it’s a Star Wars movie. But, at that length, it needs to be a really good Star Wars movie, not a so-so one. The Last Jedi is so-so.
Bob Grimm, Reno News and Review - Fresh
The Last Jedi has a few good ideas but these are utterly lost amidst an over-long and utterly unsatisfying overall plot. Replete with poor dialogue, irritating tonal shifts and superfluous scenes, The Last Jedi adds very little to the saga except an overwhelming sense of disappointment not felt since the release of The Phantom Menace.
Richard Dove, International Business Times - Rotten
It is more than 150 minutes long. It has too many plot twists and too much fighting and too many characters.
Mark R. Leeper, Mark Leeper's Reviews - Fresh
Many have complained or commented on the length of The Last Jedi. It did start to feel long towards the end, yet I don’t think it was due to the actual time stamp of the film. Instead, I believe it is because of the drawn out plots within the film itself. Many parts of the story are over showcased destroying the strength and believably in the plot.
Stephanie Archer, Film Inquiry - Fresh
This film did not need to be 152 minutes and should have been closer to the 120 minute standard established by the earlier films. I hope one day we’ll see a fan cut that is actually closer to two hours.
Chris Gore, Film Threat - Fresh
The Last Jedi is still overstuffed, slightly too long, reliant on some vaguely-defined powers, and mostly consists of an endless chase towards a shifting MacGuffin.
Vincent Mancini, FilmDrunk - Fresh
The Last Jedi is 50 fucking minutes too long, and the most excruciatingly boring movie that has ever been released in this franchise. And this is a franchise that once opened up a movie by talking about controversial tax legislation.
Tim Brayton, Alternate Ending - Rotten
The Last Jedi has some issues. Pacing is the biggest one. This is the longest Star Wars film so far, and it feels like it. Johnson does his best to hustle from one location to the next, but the narrative has a tendency from time to time to drag.
Chris Evangelista, Slashfilm - Fresh
While Luke leads the Force thread, the battle between good and evil, the rest feels a bit standard issue action film lurching through one, or two, too many cycles of near peril. This is in part down to writer-director Rian Johnson and also down to patchy leads.
Aine O'Connor, Sunday Independent (Ireland) - Fresh
Writedirector Rian Johnson’s movie is underwhelming. Where it falters is a story that borrows heavily from others in the franchise like The Empire Strikes Back. That I can live with, but I can’t live with unnecessary length. This is an overdone 2 1/2 hour movie that would have been a terrific 90-minute extravaganza. The first hour drags. The predictable second hour is just as tedious in more spots than not before Johnson finally moves you to the even more predictable slam bang action of the last half-hour.
Gary Wolcott, Tri-City Herald - Fresh
At 152 minutes, The Last Jedi is the longest of the nine Star Wars films to date — it’s also the only one where the length is felt. While all the scenes involving younglings should have been deep-sixed, the rest of the fatty tissue can be forgiven, since it simply meant Johnson wanted to make sure fans were saturated and satisfied. Yet there aren’t many vignettes that couldn’t have benefited from a judicious trim here or there.
Matt Brunson, Creative Loafing(Charlotte) - Fresh
At 2 hours and 32 minutes, the longest ever in the series, there are lots of highlights and probably a few too many endings
Pete Hammond, Deadline Hollywood Daily - Fresh
Despite the Rey-Luke drama, the first half of The Last Jedi is its most lumbering and uneven, never really clicking as it rambles through its multiple plotlines in a manner that feels simultaneously rushed and overlong.
James Kendrick, Q Network Film Desk - Fresh
However, there are moments towards the end of the film that feel as though they are just a tad unnecessary, that the race to the finale is going on just a little too long.
Irene Falvey, Film Ireland Magazine - Fresh
So what's necessary to know about the 40th anniversary "Star Wars" is that, at two and a half hours, it's at least a half-hour too long (maybe 45 minutes) and it's overfull of the usual digital battle sequences which so many of us have come to consider a wee bit old hat in the decades since "Star Wars" introduced us to a new thing back in 1977.
Jeff Simon, Buffalo News - Fresh
Johnson has sorted all of this material into an elaborate roundelay that feels endless (the movie is way too long at two and a half hours). Surely sections of the film could have been trimmed—maybe the Laura Dern scenes, which cry out for compression, or the training sequences with Luke and Rey (in which he says things like "Reach out with your feelings").
Kurt Loder, Reason Online - Fresh
The film is long, however, and begins to feel more than a little labored by the time the various epic showdowns finally take place.
A lot of “The Last Jedi” is engrossing and emotional—but there’s also the long runtime, uneven pacing, and slightly underdeveloped characters to deal with. “The Last Jedi” is often exceptional, but its desire to do too many things, tell too many stories, and continue expanding its own cast and narrative makes the film fundamentally imbalanced.
Roxana Hadadi, Chesapeake Family Magazine - Fresh
There is a great deal going on in The Last Jedi and the way it splits off the main characters into separate but intertwined stories makes for a long, over-plotted film that even starts to drag a little in the middle.
Allan Hunter, Daily Express (UK) - Fresh
A few of the goofier comic moments fail to land and true to the legacy of Lucas there’s a fair amount of eye-wincing dialogue. More importantly, the second act bows under the weight of too many narrative strands; Finn’s away mission comes off as a bit superfluous, as does Laura Dern’s Vice Admiral Holdo, and both Rose and the beloved Chewbacca (Joonas Suotamo) are sadly underwritten. In a trade-off that brings scope and complexity, Johnson has sacrificed narrative efficiency.
Christopher Machell, CineVue - Fresh
If “The Last Jedi” has a main flaw it’s that it’s too long at just over two-and-a-half hours. When the film is cross-cutting between the escape of the Resistance and the showdown with Snoke, one might assume this was the climax of the film. In fact, there’s much more to come.
Daniel M. Kimmel, New England Movies Weekly - Fresh
At 152 minutes, "Star Wars: The Last Jedi" is too long, and could have been trimmed by at least 10-15 minutes.
David Kaplan, Kaplan vs. Kaplan - Fresh
Despite being overlong and drenched in déjà vu (replete with conversations about one’s parents, whether or not one will ‘turn’, whether one is the last hope or the new hope, etcetera etcetera) I appreciated a lot of The Last Jedi, in the same way I appreciate re-reading a decent book – respecting the structure and craft of it, and feeling no sense of surprise.
Luke Buckmaster, The Daily Review/Crikey - Rotten
At 152 minutes, “The Last Jedi” is probably 20 minutes too long yet never fails to entertain.
Maria Sciullo, Pittsburgh Post-Gazette - Fresh
If some of these detours drag on a bit, hampering momentum and bulking up The Last Jedi’s not-entirely-necessary two-hour-and 32-minute runtime, well, at least the various locales are fun to look at.
Rebecca Pahle, Film Journal International - Fresh
a running time of 152 or so minutes that easily could have been tightened down quite a bit
Jim Judy, Screen It! - Fresh
While many complained – justifiably – that the previous entry, The Force Awakens, was nothing but a remake of 1977’s A New Hope, the same sort of narrative déjà vu is at play here, to a certain degree. Equally troublesome is Jedi’s bloated running time. Clocking in at 2 ½ hours, the movie seems longer than it actually is due to the fact we’re going over well-covered narrative territory.
Charles Koplinski, Illinois Times - Rotten
It’s too long by a good 30 minutes, feels like two films mashed together, has about five endings and it seems to be taking cues from the George R. R. Martin school of right-angled plot twists.
Patrick Kolan, Shotgun Cinema - Fresh
Overly long and consistently clunky, The Last Jedi ultimately proves a bit of a mixed bag. Too often the dialogue is exposition heavy and played for easy laughs.
Tom Glasson, Concrete Playground - Fresh
The Last Jedi is overlong, heavy-handed and fun if mostly uninspired.
James Verniere, Boston Herald - Fresh
At 151 minutes, the film is overlong and repetition sets in, not just for this film but for the series in general
Laura Clifford, Reeling Reviews - Fresh
The Last Jedi is the party that never wants to end. It keeps going and going – and going – until there is no corner of the house left to decorate. It pushes all the buttons. It is constantly in competition with itself (it comes with two huge ending sequences). It is also baggy in places, and that’s not something I’d expected.
Chris Wasser, The Herald (Ireland) - Fresh
At the same time, it does take a while for “Last Jedi” to get up to speed. Some of the humor feels a little distracting and the lengthy final product suggests a tighter execution might have felt more resonant.
Josh Terry, Deseret News (Salt Lake City) - Fresh
Or maybe it's just a case of "The Last Jedi" itself overstaying its welcome with a running time topping two and a half hours.
Greg Maki, Star-Democrat (Easton, MD) - Fresh
This is the longest Star Wars movie yet, clocking in at 150 minutes, and it has at least one ending too many, and a middle that sags a bit.
Rain Jokinen, MullingMovies.com - Fresh
We’ve seen this story before. Sure, “stuff” happens over the film’s 157-minutes but our main characters remain pretty much in the same place. You’d swear time stands still.
Dana Barbuto, The Patriot Ledger - Fresh
“The Last Jedi” is the longest of the “Star Wars” efforts (152 minutes) and feels it
Brian Orndorf, Blu-ray.com - Fresh
At 152 minutes, it’s also way too damn long. And Rian Johnson should not have been allowed to write and direct. The script is a problem — it has only two really great “moments” which isn’t enough for 152 minutes. But it also doesn’t feel quite right — the language, the iconography, the weirdly campy humor at the beginning — it doesn’t feel a part of the Star Wars universe.
Ray Greene, CineGods.com - Rotten
But the character moments and the explorations of moral ambiguity aren’t quite compelling enough to compensate for the slow pacing in the middle (one thing a Star Wars movie should never be is dull), and it takes too long to get to the most rousing action sequences.
Josh Bell, Las Vegas Weekly - Fresh
I don’t want to be too generous. I would cut 15 minutes out. There are editing choices that leave the film feeling choppy when it should feel smooth.
David Poland, Movie City News - Fresh
In truth, it takes a very long time to get from the film’s exhilarating start to that moving sign-off. Stars Wars: The Last Jedi lasts fully two-and-a-half hours, and there were moments towards the end when I felt like one of those poor Cubans listening to Fidel Castro at the height of his oratorical vigour: just as you’re planning your route to the exit, it lurches into yet another new lease of life.
Brian Viner, Daily Mail (UK) - Fresh
Editor Bob Ducsay moves the individual sequences along with dispatch; it isn’t his fault that at two-and-a-half hours the movie overstays its welcome. That’s the fault of Johnson’s decision to pile climax upon climax as if they were on sale at Screenplays-R-Us, apparently unwilling to jettison any of the ideas he’s had for propelling the story forward.
Frank Swietek, One Guy's Opinion - Fresh
Which leads into another problem I mentioned briefly earlier -- the pacing. Watching the first hour, I had the uncomfortable sense that maybe it needed trimming by about ten minutes or so, and that Rey's and Luke's story kept stalling and going in circles for a while. Then, the pacing in the last hour is so spot-on, it confirms all of those earlier feelings. Adding to the problem is the choice of starting point for the film. I realize kicking off with a more action-driven sequence has benefits, but it felt disorienting since we remember how the last film ended and probably want to pick up that thread first. It was an easy call, I feel, and the film's choice merely confirms my own sense that there was a better option.
Mark Hughes, Forbes - Fresh
The 2 hr and 30-minute runtime really hurt the film. I feel like there are just certain spots throughout the film where it just drags. It hard to pinpoint exactly when and where they occur on just one viewing but I was definitely bored at times.
Scott Menzel, We Live Entertainment - Fresh
“The Last Jedi” suffers from “The Lord of the Rings” syndrome — it seems like it might never end. It also poaches scenes, ideas and moments from “Harry Potter,” “The Hunger Games” and “Guardians of the Galaxy.”
David Frese, Kansas City Star - Fresh
At 152 minutes, “The Last Jedi” runs long, with a bit too much time spent on Ahch-To. And Hamill — who shares the weathered, lion-like look of modern-day Robert Plant — turns in a true love-it-or-hate-it portrayal of an aged Skywalker.
Ross Raihala, St. Paul Pioneer Press - Fresh
At over two-and-a-half hours, the film had me reconsidering if I really needed a Finn v. Phasma fight, or a five-act structure. So consider the urgency. A wordsmith in his own right, Johnson seems to be dumbing himself down here for the sake of the brand. He manages to pose some of the most complex ideas on morality and war this franchise has ever attempted, but is forced to breeze through and cap them off with trite buzzwords.
Conor O'Donnell, The Film Stage - Fresh
The film is overlong at two and a half hours, and you may well catch yourself thinking “this could probably have been cut.”
Jonathan Hatfull, SciFiNow - Fresh
Yes, it’s probably half an hour too long. There is a whole section that feels out of kilter and harks back to the CGI naffness of the prequels — and is also virtually pointless to the plot.
Jamie East, The Sun (UK) - Fresh
The middle section loses its shape and is subject to longueurs.
Ian Freer, Empire Magazine - Fresh
The Last Jedi is the longest Star wars movie, and it does feel like it. The third act is a beating drum of moments that each seem like they could be a satisfying climax.
Susana Polo, Polygon - Fresh
Where the film falters is in its pacing. Even jumping between three storylines, there’s a lack of momentum at times as no one is really going anywhere. The Resistance fleet is crawling away from the First Order; Rey is in a stalemate with Luke on Ahch-To; and obviously things aren’t a breeze on Canto Bight. And yet the dramatic tension of the first two storylines hold up intact. The fleet storyline plays like the excellent Battlestar Galactica episode “33” and everything is Ahch-To is great because Johnson is doing some fascinating things with the character dynamics between Rey, Luke, and Kylo Ren. But the Canto Bight stuff is a bit of a drag, and then you feel it in final act of the film where, despite some amazing moments, you can’t shake the feeling that The Last Jedi is probably a bit too long even if it’s difficult to know what to cut.
Matt Goldberg, Collider - Fresh
There's a lot going on - too much. The film could have used a hard edit to lose about 20 minutes or more. Resistance ships explode and the fleet's fuel running low, but it doesn't keep us on the edges of our seats. Poe, Rey and Finn- the new heroes we're supposed to fall in love with - are uncharismatic and bland.
Julie Washington, Cleveland Plain Dealer - Fresh
Star Wars: The Last Jedi is a long work of art that doesn't know when to quit
Scott Mendelson, Forbes - Fresh
If there's a problem, it's only that it's a little too long at two and a half hours (a first for the franchise), which might prove challenging for younger viewers. It turns out you can have too much of a good thing after all.
Matthew Turner, Hero Collector - Fresh
Tran is a rock-solid addition, but here, and elsewhere, one is reminded of the deftness of editing on both (yes, both) previous trilogies. Intercut sequences that moved swiftly in earlier films feel clumsy. Where once the passing of time was cannily implied yet compact on screen in, say, “Empire,” in “Last Jedi,” well ... you can fit a lot of movie into 152 minutes.
Joe Gross, Austin American-Statesman - Fresh
But The Last Jedi’s two-and-half-hour sprawl still includes an awful lot of clunky, derivative, and largely unnecessary incidents to wade through in order to get to its maverick last act. This is especially true when it comes to the plausibility-straining mission of stormtrooper turned Rebel Alliance fighter Finn and puckish series newcomer Rose Tico.
Sam C. Mac, Slant Magazine - Rotten
Some tighter editing would have relieved most of my mid-movie tension — as well as my bladder concerns as “The Last Jedi” stretches to an unnecessarily long 151 minutes. If not for that spectacular final act, it would be tempting to refer to it as “The Lasts and Lasts and Lasts Jedi.”
Christopher Lawrence, Las Vegas Review-Journal - Fresh
The Last Jedi is a whopping two-and-a-half hours, and it would have been much improved if an editor had taken a lightsaber to its less crucial sections. To cut a long story short (and I wish Johnson had cut his own long story short): if you’re getting bored halfway through The Last Jedi, hang on in there. Just when you think it’s about to end, it really gets going.
Nicholas Barber, BBC.com - Fresh
For the first half of a punishingly long film, we repeatedly cut back to Star Wars Island where Rey is begging Luke to train her as a Jedi.
Donald Clarke Irish Times Rotten
There are times, however, when the wow factor and compelling character beats give way to the feeling that Johnson lost the run of himself with the film's duration, and that the longest adventure in Star Wars history really didn't need that distinction.
Harry Guerin, RTÉ (Ireland) - Fresh
Several characters remain underdeveloped, and appear as well dressed plot devices which contribute to an unevenness hard to justify in the 151 minutes running time.
Jon Lyus, HeyUGuys - Fresh
Even Johnson’s sense of fun and mischief can’t sustain the film for two-and-a-half hours; the warring gets boring. One scene is replayed three times with different interpretations but it’s hardly Rashomon and a movie this long can’t afford to dawdle. No one could mistake The Last Jedi for an outstanding contribution to cinema, or even to escapism, but it has its attractions.
Ryan Gilbey, New Statesman - Fresh Indeed it does, Ryan. And that concludes part III. TL;DR:TLJ is TL.
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